A curator's gallery, now online.
Original paintings by Jean Wallin, rare Edward S. Curtis photogravures, and collectible southwest art. Selected by a broker with forty years in the trade.
Explore the CollectionForty years of collecting, now yours to browse.
Donna Provost began brokering fine art before the phrase "online gallery" existed. Her early ads ran in the Wall Street Journal, and she represented the estate of a Taos Seven artist, moving antique works and collectible southwest paintings between private collections across the country.
Art Source Collective is her return to the trade: curated one piece at a time, with the same eye that built those collections.
Currently exhibiting
26 original paintings by Jean Wallin, 16 Edward S. Curtis photogravure prints from an original four-volume set, and 4 hand-painted lithographs by John Gould, with new acquisitions added as the collection grows.
Every piece is one-of-a-kind, individually priced, and sold directly.
A few pieces worth a second look.
Recent additions and long-standing favorites, drawn from across the collection.
AHLA "Willow" Taos
Edward Curtis
Photogravure
Snow in the Desert
Jean Wallin
Acrylic on canvas
Nesjaja Hatali
Edward Curtis
Photogravure
Golden Hill
Jean Wallin
Acrylic on canvas
Rainbow Girl
Jean Wallin
Acrylic on paper
Electric Moment
Jean Wallin
Acrylic on paper
Who's in the gallery.
Three artists anchor the current collection, with new voices added as pieces come in.
Jean Wallin
Tucson, Arizona
Tucson-based figurative painter. Faceless female figures in acrylic on canvas, board, and paper. Pieces from $600 to $2,900.
26 works available
View Jean Wallin's work →
Edward Curtis
Historical
Photogravures from the original plates of The North American Indian, published 1907-1930. One of four known volumes.
16 works available
View Edward Curtis's work →
John Gould
Historical
Hand-painted ornithological lithographs from the nineteenth century. Toucans, hummingbirds, and exotic species, each plate colored by hand.
4 works available
View John Gould's work →Donna Provost, founderWhen the piece is right, you already know. My job is to make sure nothing stands between you and the work.
You talk to the broker, you see what she sees, and you take home a piece she would have kept for herself.
Questions about a piece?
Reach out directly. Email works, a phone call works even better. I'll tell you what I know about the artist, the provenance, and the condition. If it's not the right piece for you, I'll say so.
